

Ultionus: A Tale of Petty Revenge, claims to be…
Ultionus is a love-letter to the home computer arcade games of the late 80s and early 90s
By “love letter” I would normally assume they mean a “horrifying package from a creepy stalker”. Sadly in this case what they mean is “direct rip off of an obscure and unsuccessful title from 1987″ – that title was Phantis / Game Over II (a baffling title if ever there was one).

Look, this didn’t help in the 80s okay, and back then it was hard to see cartoon / pixel boobs. Nowdays the challenge is to avoid having them pop up on your monitor at awkward moments.
– wincenworks









I feel it says a lot about the state of gaming when people will riot for hours to try to oppose titles like Gone Home being considered real games, but stuff like this (where gameplay amounts to “press button to continue”) gets promoted on the front page of Steam and remains pretty much unchallenged.

And that those outfits still are not the worst we’ve seen…
– wincenworks


Quiet apologists have been by far the most tedious defenders of bikini armor, constantly insisting that there is some sort of great artistic genius at work behind Kojima’s design decisions. It’s always either he’s doing some sort of genius bait and switch (that’s not genius) ploy or somehow the characterization will make up for the costume or (my personal favorite) people just need to spend hundred of hours playing every MGS game to understand the twenty-four minute trailer released to the general public.
No amount of anything is ever going to make up for this, the game hasn’t even been released yet and he’s already releasing fondle dolls. Oh, and since I’ve seen lots of guy’s insisting that the Snake doll will be equally fondleable and objectified – No. No it won’t.
At this point, the kindest thing that can be said has already been said on Twitter:

– wincenworks
Feminst Frequency on Quiet | Escher Girls on Quiet | BABD on Quiet
Well I think there should be boobs. You guys’ won’t see a dime out of me unless you publish this character exactly as it is, right now!
A frighteningly accurate portrayal of the Creepy Executive Guy, Creepy Marketing Guy’s close companion. When any of them is on board, this is how creative process at studios seems to work.
~Ozzie














