The hilarious front line in the tragic war against ridiculous female armor
Tag: resources
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As Shad argues in the video, the gambeson is perhaps most one of the unappreciated aspect of armor, largely due to the unimpressive visual nature of it and misinformation spread by roleplaying games, both the early tabletop variety and video games variety.
Gambesons are not only an important part of so many armor compositions but also a viable armor in of themselves and were a fashion item at some points in history. We’re huge fans of the gambeson and would love to see them get more wide spread appreciation.
So, if you’re designing an outfit for a character who needs an armor that is light, not too heavy duty and/or can look fabulous – consider the gambeson.
Defying age with a sword: Meenakshi Gurrukkal, Kerala’s grand old Kalaripayattu dame
“Meenakshi Gurukkal crouched low, sword poised; her eyes unblinking as she faced her opponent in the mud-paved ‘kalari’ or arena. From the tree tops, a mynah’s call resonated in the silence. In a flash she moved to attack, twirling her sword; metal clashing loudly as it made contact with a shield.
At 74, she is possibly the oldest woman exponent of Kalaripayattu, the ancient martial arts from Kerala. She has been practising Kalaripayattu for no less than sixty-eight years – training and teaching.
Around 150 students learn Kalaripayattu in her school Kadathanadan Kalari Sangam, in a tiny hamlet in Vadakara, near Calicut, Kerala. From June to September every year, classes are held thrice a day teaching the Northern style of Kalaripayattu, including “uzhichil” or massages for aches and pains. Techniques have been passed down through generations, written in a palm ‘booklet’, grey and delicate with age. When school term is over, Meenakshi takes part in performances. “Nowadays, apart from teaching, I practise only when I have a show,” she says nonchalantly. This, from someone who on an average performs in 60 shows a year…”
Another awesome example of warrior women from the real world, reading through the article confirms that this martial art was traditionally practiced across genders until it was suppressed by colonialism.
Oral folklore in north Kerala, known as Vadakkan Pattu or Northern Ballads, is rich with tales of Kalaripayattu champions. Among them are the Thiyya/Ezhava warriors of Puthooram tharavad in North Malabar- heroes and heroines such as Aromal Chekavar, an expert in ‘ankam’ (duelling) and Unniarcha, a women skilled in ‘urumi’ combat who singlehandedly took on vagabonds to ensure safe passage for women in that area.
Defying age with a sword: Meenakshi Gurrukkal, Kerala’s grand old Kalaripayattu dame
“Meenakshi Gurukkal crouched low, sword poised; her eyes unblinking as she faced her opponent in the mud-paved ‘kalari’ or arena. From the tree tops, a mynah’s call resonated in the silence. In a flash she moved to attack, twirling her sword; metal clashing loudly as it made contact with a shield.
At 74, she is possibly the oldest woman exponent of Kalaripayattu, the ancient martial arts from Kerala. She has been practising Kalaripayattu for no less than sixty-eight years – training and teaching.
Around 150 students learn Kalaripayattu in her school Kadathanadan Kalari Sangam, in a tiny hamlet in Vadakara, near Calicut, Kerala. From June to September every year, classes are held thrice a day teaching the Northern style of Kalaripayattu, including “uzhichil” or massages for aches and pains. Techniques have been passed down through generations, written in a palm ‘booklet’, grey and delicate with age. When school term is over, Meenakshi takes part in performances. “Nowadays, apart from teaching, I practise only when I have a show,” she says nonchalantly. This, from someone who on an average performs in 60 shows a year…”
Another awesome example of warrior women from the real world, reading through the article confirms that this martial art was traditionally practiced across genders until it was suppressed by colonialism.
Oral folklore in north Kerala, known as Vadakkan Pattu or Northern Ballads, is rich with tales of Kalaripayattu champions. Among them are the Thiyya/Ezhava warriors of Puthooram tharavad in North Malabar- heroes and heroines such as Aromal Chekavar, an expert in ‘ankam’ (duelling) and Unniarcha, a women skilled in ‘urumi’ combat who singlehandedly took on vagabonds to ensure safe passage for women in that area.
Following on from our discussion of visual design – it’s important to remember that there’s always a lot of options and usually you’ll want to explore what options work best for you initial concept and experiment from there.
If you can’t remember seeing any designs that translate well, look for new interpretations that emphasize the priorities you want to focus on.
Glass cannons, as an example, are really defined by how they compare to the “standard” units around them.
