Apparently, according to all the people who were upset that we dared to call out Hideo Kojima and implied that his use of Quietin promotional materials was objectification and pandering, you can also act like it’s totally subversive by writing a long back story for the character.
It doesn’t have to be, or really their own back story, or one that the majority of players will even experience – just so long as there’s something there to claim that you “totally humanized and made worthwhile” the character who’s boobs appear in every promo post.
Then it becomes a deep commentary of the “reality of women in these situations”… there being so many women who run around in bikinis on battlefields in reality.
– wincenworks
Since “weaponized femininity” got namedropped in that post we reblogged this weekend, let’s maybe bring it back today. And wonder once again how exactly does displaying a conventionally attractive heroine’s
tits and supermodel strut equally as much as her
weapons and battle prowess count automatically as female empowerment and not thinly-veiled pandering to cishet men.
And also let’s remember another, more evocative name which Miss Represenation documentary gave to this Totally Subversive™
Apparently, according to all the people who were upset that we dared to call out Hideo Kojima and implied that his use of Quietin promotional materials was objectification and pandering, you can also act like it’s totally subversive by writing a long back story for the character.
It doesn’t have to be, or really their own back story, or one that the majority of players will even experience – just so long as there’s something there to claim that you “totally humanized and made worthwhile” the character who’s boobs appear in every promo post.
Then it becomes a deep commentary of the “reality of women in these situations”… there being so many women who run around in bikinis on battlefields in reality.
– wincenworks
Since “weaponized femininity” got namedropped in that post we reblogged this weekend, let’s maybe bring it back today. And wonder once again how exactly does displaying a conventionally attractive heroine’s
tits and supermodel strut equally as much as her
weapons and battle prowess count automatically as female empowerment and not thinly-veiled pandering to cishet men.
And also let’s remember another, more evocative name which Miss Represenation documentary gave to this Totally Subversive™
Amazing video. Should be required viewing for high school students. I may make it required viewing for my future college students.
“The Fighting Fucktoy” is my new favourite phrase.
See: Why male gaze is awful and needs to be addressed
This documentary was awesome and powerful definitely recommend that you guys watch it!
A subject we referenced a couple of times before, which constantly needs to be reiterated: there’s a crucial difference between female characters being primarily badass while incidentally sexy and characters being primarily sexy while incidentally badass.
It’s super disingenuous to obviously design a heroine’s look, personality and actions around (straight) male gaze appeal and repackage it as female empowerment just because she’s technically a powerful hero (or sometimes, a villain).
~Ozzie
This week’s throwback: Fighting F*cktoy or “How to make absolutely no progress in the way female characters are depicted and repackage it as empowerment”.
Amazing video. Should be required viewing for high school students. I may make it required viewing for my future college students.
“The Fighting Fucktoy” is my new favourite phrase.
See: Why male gaze is awful and needs to be addressed
This documentary was awesome and powerful definitely recommend that you guys watch it!
A subject we referenced a couple of times before, which constantly needs to be reiterated: there’s a crucial difference between female characters being primarily badass while incidentally sexy and characters being primarily sexy while incidentally badass.
It’s super disingenuous to obviously design a heroine’s look, personality and actions around (straight) male gaze appeal and repackage it as female empowerment just because she’s technically a powerful hero (or sometimes, a villain).
