Of course. A lot of the armor that is on display in museums and owned by private collectors (and hence shown in books) was purely ornate and never intended to be worn into battle. After all, not setting foot on a battlefield does help improve the chances of your armor not being destroyed.
Prior to firearms, crossbows and other innovations making heavy armor redundant, it was commonplace for rich leaders who didn’t actually set foot on the battlefield to decorate their armor. Roman Emperors in particular seemed fond of looking absolutely fabulous in armor.
Ancestral armor was not really a thing in most places because generally a memorable suit of armor was part of an individual’s identity. A noble’s armor were also unlikely to fit their heirs – outside of Disney movies few families have identical measurements from generation to generation. Finally there was the issue that armor adapted as weapons did – wearing the previous generation’s armor exposed you to the current generation’s weapons.
The armor above was made for Sigismund II Augustus, the then King of Poland (who it seems probably never set foot on a battlefield) – and was one of twenty private armors owned by him at the time of his death. It would not have been unusual for a noble wearing such as suit in a parade to accessorize with a sash and/or long cape.
The important part about purely ornate armor is that it looks like armor – just with decorations that go beyond being practical. They still reflect the core armor values of the era but they’re just over decorated*, questionable accessorized and may have reductions made to facilitate their non-combat use (such as no gauntlets or arm protection if it’s for wearing to dinners and parties).
I thought we’d bring this one back as the reminder that there’s no reason that fabulous looking armor can’t be (at least semi-)practical looking armor… just with more fabulous.
Question: Is it possible to have armor that only serves as aesthetic quality versus functional quality only serve as that? Such as ceremonial armor or ancestral armor.
Of course. A lot of the armor that is on display in museums and owned by private collectors (and hence shown in books) was purely ornate and never intended to be worn into battle. After all, not setting foot on a battlefield does help improve the chances of your armor not being destroyed.
Prior to firearms, crossbows and other innovations making heavy armor redundant, it was commonplace for rich leaders who didn’t actually set foot on the battlefield to decorate their armor. Roman Emperors in particular seemed fond of looking absolutely fabulous in armor.
Ancestral armor was not really a thing in most places because generally a memorable suit of armor was part of an individual’s identity. A noble’s armor were also unlikely to fit their heirs – outside of Disney movies few families have identical measurements from generation to generation. Finally there was the issue that armor adapted as weapons did – wearing the previous generation’s armor exposed you to the current generation’s weapons.
The armor above was made for Sigismund II Augustus, the then King of Poland (who it seems probably never set foot on a battlefield) – and was one of twenty private armors owned by him at the time of his death. It would not have been unusual for a noble wearing such as suit in a parade to accessorize with a sash and/or long cape.
The important part about purely ornate armor is that it looks like armor – just with decorations that go beyond being practical. They still reflect the core armor values of the era but they’re just over decorated*, questionable accessorized and may have reductions made to facilitate their non-combat use (such as no gauntlets or arm protection if it’s for wearing to dinners and parties).
I thought we’d bring this one back as the reminder that there’s no reason that fabulous looking armor can’t be (at least semi-)practical looking armor… just with more fabulous.
– wincenworks
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..my move is just awful, it’s chauvinist! Every time I fall over my vagina and vulva is exposed. I might as well be an NPC that doesn’t know where to wander!
Felicia Day, playing as Tyris Flare in the original Golden Axe game, (x)
Golden Axe, the iconic side-scrolling hack’em up is also a pretty iconic example of bikini armor:
And yes, Dolph LundgrenAx Battler (that is his actual name!) is wearing a bikini too but as well as being a male power fantasy (or someone I’d expect to see featured at videogamesmademegay) he always looks badass posed like Conan the Barbarian or a classical mythological figure. He also quickly got an unsuccessful spinoff game and you had the option to play a dwarf who at least kept his shirt on.
Tyris on the other hand, despite having a much less ridiculous name, had to wait until 2008 when she would get to be the star. But hey, that’s like eighteen/nineteen years of social and artistic progress right? Let’s see how they portrayed her and promoted the game!
Yeah…
– wincenworks
I felt it may be time to bring this back, not because anything has happened with the Golden Axe franchise – but because there’s still apparently a wide spread believe that exposed skin is the be all and end all of sexualized armor design.
As you can see, they actually gave Tyris more clothes in her spinoff title, but less powerful presence simply by design decisions like making her muscles less defined, body language less intimidating and ensuring her extra clothes highlighting sexualized body parts.
As convenient as it would be – there is no one element of design that guarantees a design will work. Designs consist of dozens of decisions and each can improve or worsen it by degrees.
– wincenworks
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..my move is just awful, it’s chauvinist! Every time I fall over my vagina and vulva is exposed. I might as well be an NPC that doesn’t know where to wander!
Felicia Day, playing as Tyris Flare in the original Golden Axe game, (x)
Golden Axe, the iconic side-scrolling hack’em up is also a pretty iconic example of bikini armor:
And yes, Dolph LundgrenAx Battler (that is his actual name!) is wearing a bikini too but as well as being a male power fantasy (or someone I’d expect to see featured at videogamesmademegay) he always looks badass posed like Conan the Barbarian or a classical mythological figure. He also quickly got an unsuccessful spinoff game and you had the option to play a dwarf who at least kept his shirt on.
Tyris on the other hand, despite having a much less ridiculous name, had to wait until 2008 when she would get to be the star. But hey, that’s like eighteen/nineteen years of social and artistic progress right? Let’s see how they portrayed her and promoted the game!
Yeah…
– wincenworks
I felt it may be time to bring this back, not because anything has happened with the Golden Axe franchise – but because there’s still apparently a wide spread believe that exposed skin is the be all and end all of sexualized armor design.
As you can see, they actually gave Tyris more clothes in her spinoff title, but less powerful presence simply by design decisions like making her muscles less defined, body language less intimidating and ensuring her extra clothes highlighting sexualized body parts.
As convenient as it would be – there is no one element of design that guarantees a design will work. Designs consist of dozens of decisions and each can improve or worsen it by degrees.
It doesn’t score very high, provided that the Female Armor Bingo was designed with the
popular “sexy = skin on display” misconception in mind. But it’s still a major example of skin-tight chainmail, one of the most cringe-inducing tropes of sexualized armor.
Also put a question mark on “How does it attach?!”, cause I really don’t see how exactly spandex chainmail is supposed to physically work.
~Ozzie
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This topic was chosen by @edasypogon as a prize in the Break the Bingo Competition and features their OC Cui. Unfortunately it took much longer than expected due to redraws and other issues.