NYCC: Simone, Scott revamp Red Sonja, Vampirella & Dejah Thoris for Dynamite

NYCC: Simone, Scott revamp Red Sonja, Vampirella & Dejah Thoris for Dynamite

bikiniarmorbattledamage:

I feel that the most critical step to really re-inventing those characters would be to get them away from Dynamite Entertainment. 

I enjoy Gail Simone’s re-invention of Red Sonja and understand there’s a balancing act with the branding and appearance.  But an ongoing thing with Dynamite Entertainment is that they stockpile old characters to use them in spinoffs, mash-ups, etc.

So far, at Dynamite, we’ve had:

I mean – these are the most recent spinoffs (one working with Dark Horse):

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Furthermore, while these designs might be bold for Dynamite, they’re not really that bold when you step back and look.

Red Sonja is basically back to a sexier version of the outfit she in her very first appearance, Vampirella appeared in a space suit in March (and I remember seeing concept ideas to re-invent her wearing full body gear in the 90s) – and okay, the movie bombed but nobody thinks it’s because of what Lynn Carter wore as Dejah Thoris.

What would really be bold – is actually re-inventing these characters without anchoring them to bad branding and design decision made in 70s (or earlier). Red Sonja has changed far more than her costume has, and not updating her appearance to reflect that hampers the comic.

At the end of the day – the reason these properties got sold to Dynamite Entertainment and the reason this is the second time Red Sonja’s been re-invented since then is because the old branding isn’t speaking to audiences today.

– wincenworks

So, a year ago I expressed that I was less than excited about Dynamite’s “commitment” to reinventing a bunch of heroines including Red Sonja as less they hyper-sexualized.  Now to be fair, they release the new Volume 3 run… a whole six issues of it! (FYI, Volume 2 got 21 issues and Volume 1 got 81 issues before getting rebooted)

However starting next year they’re going to be starting a Volume 4 run! Want to see the amazingly creative ideas they’ve got to take the title in a whole new direction unlike anything else in comics?

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No it’s Red Sonja the pinup model (by J Scott Campbell none the less) or Red Sonja / Game of Thrones crossover, it’s Red Sonja… in the battle bikini… in New York (a place where surely no other comic has ever been set!). It actually is.  And they’re very proud of this creative costume decision! Nothing saves a comic that’s on it’s forth incarnation like a combination of what hasn’t worked twice before and New York!

Interesting Dejah Thoris and Vampirella also got their new looks cancelled after  exactly six issues too… it’s almost like many publishers will set unrealistic expectations on some products so they can say they tried – the go back to a particular strategy regardless of how often it fails.

I cannot imagine how this industry could be connected to so much real life toxic behavior.  It’s really such a mystery why there’s a huge demographic of fans who rage and the idea that women are not objects.

– wincenworks

P.S. For those frantically typing something about how if it only got six issues it was probably sales and the concept deserved to be dropped – I would like those bring something to your attention:

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Lady Rawhide has gotten multiple series of her own under two publishers with essentially identical concepts, the highest issue count for each is five.

So, Vampirella Volume 3 – with her new costume (pictured below) went on sale this month.  However it appears that rather than promote this Dynamite is busy promoting her old costume look (pictured above).

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Basically unless you know to look for “Volume 3″ on their site, you won’t find it even though pretty much every other variant appears under the Vampirella umbrella.

For those interested in supporting the new Vampirella look, we highly recommend going to your local comic book store and asking if they have it in stock or can get it for you.  If that’s not an option:

– wincenworks

So, Vampirella Volume 3 – with her new costume (pictured below) went on sale this month.  However it appears that rather than promote this Dynamite is busy promoting her old costume look (pictured above).

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Basically unless you know to look for “Volume 3″ on their site, you won’t find it even though pretty much every other variant appears under the Vampirella umbrella.

For those interested in supporting the new Vampirella look, we highly recommend going to your local comic book store and asking if they have it in stock or can get it for you.  If that’s not an option:

– wincenworks

NYCC: Simone, Scott revamp Red Sonja, Vampirella & Dejah Thoris for Dynamite

NYCC: Simone, Scott revamp Red Sonja, Vampirella & Dejah Thoris for Dynamite

NYCC: Simone, Scott revamp Red Sonja, Vampirella & Dejah Thoris for Dynamite

NYCC: Simone, Scott revamp Red Sonja, Vampirella & Dejah Thoris for Dynamite

I feel that the most critical step to really re-inventing those characters would be to get them away from Dynamite Entertainment. 

I enjoy Gail Simone’s re-invention of Red Sonja and understand there’s a balancing act with the branding and appearance.  But an ongoing thing with Dynamite Entertainment is that they stockpile old characters to use them in spinoffs, mash-ups, etc.

So far, at Dynamite, we’ve had:

I mean – these are the most recent spinoffs (one working with Dark Horse):

image

Furthermore, while these designs might be bold for Dynamite, they’re not really that bold when you step back and look.

Red Sonja is basically back to a sexier version of the outfit she in her very first appearance, Vampirella appeared in a space suit in March (and I remember seeing concept ideas to re-invent her wearing full body gear in the 90s) – and okay, the movie bombed but nobody thinks it’s because of what Lynn Carter wore as Dejah Thoris.

What would really be bold – is actually re-inventing these characters without anchoring them to bad branding and design decision made in 70s (or earlier). Red Sonja has changed far more than her costume has, and not updating her appearance to reflect that hampers the comic.

At the end of the day – the reason these properties got sold to Dynamite Entertainment and the reason this is the second time Red Sonja’s been re-invented since then is because the old branding isn’t speaking to audiences today.

– wincenworks

leggomywaffle submitted:

Saw this cover from a post by my local comic store. This comes out on May 6th and has the description: “featuring Vampirella, Dejah Thoris, Red Sonja, Kato, Jungle Girl, and many, many more! Villains and heroes from a dozen worlds and eras face off against a legendary evil that threatens all their homelands.”

Funny how not a single woman from this various eras and worlds has ever considered wearing more than lingerie into battle. The one ladies sword has more metal than her entire set of metal “armor”!

Combined, these women almost fulfill the entire bingo card! Wow!

I was really hoping that this cover would not summarize the content of the book, which is the combining of many great heroines from the Golden Age of comics – but sadly the contents of the book do seem to send a clear message from Dynamite Entertainment: Women are only worth putting in comics if they visually coded as sex objects first:

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Nostalgia has a massive influence on comics, largely because only a few creative people are involved in making them (compared with video games and movies) and most of them are specialist skill sets. This combined with general risk aversion, means that sadly none of the “big” titles are prone to challenging their old conventions. 

This is particularly disappointing for Dynamite since the company only started in 2005 – but has huge gallery of golden age characters they purchased but have continued to make them generic copies of what made them so unsuccessful they were up for sale.

I mean you want to know how generic this cover is? Let’s compare it to another heroine based book J Scott Campbell was recruited to do the cover for:

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So, while I want to be really excited about having a big story that is a lot of Golden Age heroines getting together, it’s really hard to do that when the art is basically reduces them all down to the same Barbie dolls with the same “How do we dodge the censors?” costume design ideas.

I love nostalgia as much as the next comic book fan – but at some point we have to ask what is the point of continuing the art if we don’t really advance it? And what is the point of doing a girl power comic if the introduction to it could be used as a textbook example of male gaze in comics?

– wincenworks

More on comic books | More on Red Sonja | more on J. Scott Campbell