So, Mike Choi’s redesign of Laura Kinney’s costume for new X-23 series is controversial. To put it mildly. I decided that the best way to express what the flying boar in a submarine is wrong with this outfit would be to borrow the amazing Female Armor Bingo from @bikiniarmorbattledamage . Thankfully he had enough decency to not add a thong or it would score a full row.
Now, people have been telling me to go read Choi’s thread on Twitter, where he goes through his previous designs. Supposedly, it will change my mind about the costume. We’ll see about that.
He put his points in several threads, let’s start with the very first.
They wanted the outfit be different from her Wolverine outfit AND based on the X-Force one. This is bizarre. Her final Wolverine suit carries clear X-Force inspirations. It’s inspired by Logan’s X-Force costume. It just feels like they’re trying to bring back nostalgia to that specific time in Laura’s history. Which is funny, when you remember that the most of online fandom hated X-Force when she was on it (Kyle and Yost’s run). Despite the critical acclaim. It was seen as the epitome of why making comics darker and edgier is the worst thing you can ever do. I know, I got into arguments with these guys. But now the same people go online wanting it back if that means Laura will be showing off her midriff again. Go figure.
Now, if you pardon me breaking chronology a bit I want to address the second and sixth point on his thread together.
So let me get this straight – he was told by everyone (and agreed!) how pantless leotard is out of character for Laura, and then gave her equally skimpy short shorts on another try? All while completely aware that her outfit will be drawn by other artists who will likely make the shorts smaller and sexualize her further? He needed two separate attempts and two different arguments to understand Laura needs long pants?
Now back to the chronological order of these tweets. Third part.
Where do I even begin? If he accepts the blame for her having an exposed midriff, why not use an opportunity to fix it and give her an outfit that does not have one? What not being Wolverine has to do with practical costume design? Why cannot she still wear non-revealing outfit under new or old codename? How can he talk about respecting her agency and personality considering what book he is making these designs for? A series that, for all that we know so far, will force her back into a codename that she outgrew? Laura had a whole arc about it, with her proclaiming she is not X-23. To speak of respecting her character when such a big regression is done to her is just a sad joke.
As a side note – the top picture? These words? They’re out of context. They directly quote a speech Laura makes in issue #19 of All-New Wolverine. A speech that starts with ‘I’m not X-23″ and ends with “I’m Wolverine”. They cherry-picked lines from that monologue and slammed them on a cover for a book that goes against the entire point. It takes away from her both Wolverine title and outfit and forces her back into codename and costume she left behind. In that context talking about respecting her character is just a piece of impudence.
And this argument about her taste of clothes comes as asinine for a number of reasons. One is that she is a fictional character, she doesn’t really make a choice to dress like this – the artist does. Giving her a midriff always undermines her as a competent fighter. You end up saying she decided to expose herself in the fight, putting herself at risk for fashion.
These outfits would be okay as everyday clothes, I could tolerate them if she wasn’t wearing a costume but was just one of those superheroes who fight in whatever they are wearing at the moment like Luke Cage or Jessica Jones. But she is not, she goes and dresses for a mission, why should fashion sense or taste of clothes have anything to do with it?
And finally…. if he cares about staying true to her character, why did he try to put her in shorts after being told bare legs are ooc for her?
I agree that talking about fictional character’s agency is an oxymoron. Which is why comparing Laura to real life women, who can choose their own wardrobe, makes no sense. While Choi acknowledges Laura as a fictional person, he still frames it as if he wasn’t the one in control of her looks. This is what trying to call the critics “narrow-minded orthodoxies” and claiming they accuse HER of being some sort of temptress boils down to. It is the artist we have a problem with, the artist who made a choice to dress her like that and now tries to say it’s liberating. He asked his students what they would wear as superheroes. They told him they wanted to express their independence. And somehow this shit is the only way to convey that he could think of?
And finally the fifth part. While he speaks about the boots, I need to bring attention to what he says about practicality and realism
Again with false equivalences. Superhero costumes can look cool while still being practical, many male outfits prove that. Hell, Snake-Eyes is a good example. And I’m pretty sure “that thing” on his face is eyes protection if a stylized, properly stylized, one. To say you cannot make a character look practical without losing the cool factor is an admission of a failure as an artist.
His points I spotted are in green. I also put in purple arguments I’ve seen from people trying to defend his designs and the fans. Arguments that were always thrown in defense of sexualized outfits for Laura, by the way. The “Great story makes up for these ridiculous designs” is one I especially need to highlight. People are coming to me saying that I should not judge Mariko Tamaki’s story before it appears. And I need to underline that I’m sure she can write a great story with Laura. In fact, I hope she does. But that will in no way change the fact this outfit is horrible.
Just like is the case with Mike Choi’s designs – they suck, all of them, be it unused ones or the final one. And while I can understand some parts of his thought process in working on them, they do not justify what he created and cannot serve as a good defense for the outfit he went with.
– Admin
So not only all those new outfit ideas for Laura were the generic “must. show. female. skin!” shit and the one approved in the end is no better than the rest… The designer also walked us through his “creative” process and didn’t manage to give a single satisfactory explanation to why he landed on any of those!
It’s pretty amazing how so many completely valid points, like consulting actual women, considering how other artists will draw it and referencing the character’s history were supposedly taken into consideration… and nothing about those boring rags informs us of that.
~Ozzie
Why does it feel like every time Mike Choi talks about the “research” and “introspection” he did with regards to women, he’s actually trying to blame them?
Also, I really love that this veteran of the comics industry apparently assumes that, if anything has even one impractical element, then it is 100% impractical. If that’s the case, Laura’s outfit is immediately impractical, due to the fact that I don’t see any bra straps under that see-through fabric! And wearing a strapless bra into the kind of acrobatic fights that Laura gets into is a bad idea. Too bad he didn’t ask any of his students about that, though he probably would have ignored them anyway.
I despise doing posts where I ask for help, but here we are.
About two years ago I started a new creator owned project. It began as a spin-off of Princeless, but the reality is this – Raven The Pirate Princess is its own thing altogether. I knew this from the first issue and if you’ve been reading, so have you.
Sure, the first few issues of Raven: Pirate Princess had that heroic lady feminist banter for which Princeless has become known both among its fans and detractors. I mean, Raven had this scene:
and issue 1 had this scene:
But perhaps much more importantly, the first issue of Raven had this:
but that wasn’t where that ended. This is a book about a community of diverse queer women actively claiming their place in the world and taking what’s theirs. It’s about Raven, who is desperately in love with her childhood best friend Ximena
It’s about Ximena, a girl who was held captive for years by a pirate king who pretended to be her liberator. Who fell in love with the pirate’s daughter, only to be left behind by that father when she outlived her value.
About Sunshine, the thief that chose the wrong target and ended up falling in love with a woman already hopelessly in love with somebody else.
It’s about Katie, the bisexual second in command who’s motivated by honor…and occasionally beating the snot out of a dude or two
Oh and in case I forgot to mention, Katie is also incredibly muscular:
And Jayla, the asexual science genius who’s tired of being treated like a little sister
and Cid, the deaf engineer who quietly keeps the ship running
and of course, these two:
The socially awkward poet and the angry sword fighter who couldn’t stand her who have somehow become these two:
But here’s the thing: this comic is failing. It has a very dedicated and exuberant but at this point SMALL fanbase. Today I had a hard conversation with Action Lab about the reality of the numbers on this book versus what it costs to produce this book and, suffice it to say, Action Lab isn’t ready to cancel the book, but they aren’t ready to greenlight year 3 either. After Year 2 #13, Raven is set to go on the shelf until numbers can support continuing it.
This is where I need your help
If you care about this book full of queer pirate ladies and you want it to continue, we need to find a way to spread the word about it. We don’t need to sell single issues (it would be nice) but ultimately we need the trades sales that back up the continuation of this big YA Pirate/Revenge/Adventure/Romance thing.
In fact, if you’ve already purchased volumes 1-4, volume 5 is available for preorder there right now!
Maybe you’ve bought all the issues already. Thank you! If you still want to support Raven, you can review the books on Amazon or other retailers, you can share, reblog or retweet this post. You can tell a friend about the book!
If you have a comics review site or, say, a blog where you talk about LGBT media, contact me for review links or interviews. Please, help us save our ship.
Today, in lieu of a regular positive example, let’s reblog this overdue signal boost for the comic made entirely of positive examples!
I despise doing posts where I ask for help, but here we are.
About two years ago I started a new creator owned project. It began as a spin-off of Princeless, but the reality is this – Raven The Pirate Princess is its own thing altogether. I knew this from the first issue and if you’ve been reading, so have you.
Sure, the first few issues of Raven: Pirate Princess had that heroic lady feminist banter for which Princeless has become known both among its fans and detractors. I mean, Raven had this scene:
and issue 1 had this scene:
But perhaps much more importantly, the first issue of Raven had this:
but that wasn’t where that ended. This is a book about a community of diverse queer women actively claiming their place in the world and taking what’s theirs. It’s about Raven, who is desperately in love with her childhood best friend Ximena
It’s about Ximena, a girl who was held captive for years by a pirate king who pretended to be her liberator. Who fell in love with the pirate’s daughter, only to be left behind by that father when she outlived her value.
About Sunshine, the thief that chose the wrong target and ended up falling in love with a woman already hopelessly in love with somebody else.
It’s about Katie, the bisexual second in command who’s motivated by honor…and occasionally beating the snot out of a dude or two
Oh and in case I forgot to mention, Katie is also incredibly muscular:
And Jayla, the asexual science genius who’s tired of being treated like a little sister
and Cid, the deaf engineer who quietly keeps the ship running
and of course, these two:
The socially awkward poet and the angry sword fighter who couldn’t stand her who have somehow become these two:
But here’s the thing: this comic is failing. It has a very dedicated and exuberant but at this point SMALL fanbase. Today I had a hard conversation with Action Lab about the reality of the numbers on this book versus what it costs to produce this book and, suffice it to say, Action Lab isn’t ready to cancel the book, but they aren’t ready to greenlight year 3 either. After Year 2 #13, Raven is set to go on the shelf until numbers can support continuing it.
This is where I need your help
If you care about this book full of queer pirate ladies and you want it to continue, we need to find a way to spread the word about it. We don’t need to sell single issues (it would be nice) but ultimately we need the trades sales that back up the continuation of this big YA Pirate/Revenge/Adventure/Romance thing.
In fact, if you’ve already purchased volumes 1-4, volume 5 is available for preorder there right now!
Maybe you’ve bought all the issues already. Thank you! If you still want to support Raven, you can review the books on Amazon or other retailers, you can share, reblog or retweet this post. You can tell a friend about the book!
If you have a comics review site or, say, a blog where you talk about LGBT media, contact me for review links or interviews. Please, help us save our ship.
Today, in lieu of a regular positive example, let’s reblog this overdue signal boost for the comic made entirely of positive examples!
Side note: Luara is around 16 years old, and is going back to a revealing outfit, despite making a point about her ANW outfit having body armor because being shot still fucking hurts even with a healing factor.
Meanwhile Kamala Khan, also roughly 16, has an outfit that’s practical and not overly revealing.
This is basically just going back to what X-23 has been shown as wearing traditionally because that’s what “the core audience” supposedly wants. And I say that as someone who defends Power Girl’s boob window and Tigra’s two piece.
Currently, Laura is either 19 or 20. But the outfits are still too revealing for someone who fights in close quarters.
@bikiniarmorbattledamage , I am sad to inform you that after all the progress in Laura getting practical outfit in All-new Wolverine, they decided to backtrack this hard.
Most of those would be perfectly fine street fashion pieces, but why try to sell them as superhero outfits? Here’s hoping the final comic features neither of the above, instead opting for something you’d actually wear in a fight.
~Ozzie
I spent about 7 minutes fixing her design while listening to a video.
Side note: Luara is around 16 years old, and is going back to a revealing outfit, despite making a point about her ANW outfit having body armor because being shot still fucking hurts even with a healing factor.
Meanwhile Kamala Khan, also roughly 16, has an outfit that’s practical and not overly revealing.
This is basically just going back to what X-23 has been shown as wearing traditionally because that’s what “the core audience” supposedly wants. And I say that as someone who defends Power Girl’s boob window and Tigra’s two piece.
Currently, Laura is either 19 or 20. But the outfits are still too revealing for someone who fights in close quarters.
@bikiniarmorbattledamage , I am sad to inform you that after all the progress in Laura getting practical outfit in All-new Wolverine, they decided to backtrack this hard.
Most of those would be perfectly fine street fashion pieces, but why try to sell them as superhero outfits? Here’s hoping the final comic features neither of the above, instead opting for something you’d actually wear in a fight.
~Ozzie
I spent about 7 minutes fixing her design while listening to a video.
Didn’t even need a livestream!
-Icy
Posted on
Despite being the face of the banner, Xena does not receive her own section in Dynamite’s Heroine sale… she just get lumped in with generic heroes. Bettie Page though… she gets her own section for some reason.
Now it’s true some of these titles are somewhat subversive, and that many of them are a mixed bag (Jennifer Blood has some great covers… also many literal lingerie covers)… and the Patricia Briggs section is pretty great – this sale encapsulates so many problems prevalent not only in comics but modern media.
Largely a lot of major publishers still view female protagonists not just as an excuse to put cheesecake on their covers, but rather many of them require a specific explanation why they shouldn’t do so.
I don’t know if this has been submitted yet, but I remembered this PVC statue while I was browsing the Nightwing tag on this site. This is the DC Comics Ikemen Nightwing statue; and for those of you who don’t know, Ikemen means “handsome men”. They also made sure to put in some extra detail on this statue.
Oh, the detail on this statue is quite good indeed. Lovingly sculpted, even.
And although this isn’t quite thecomfortable, confident pose Nightwing deserves, the classic empowered T&A pose is a good effort.
I dedicate this reblog to anyone who thinks that we object to women showing some skin by principle… No, wedon’t. Just as we do not think covering everything up is a universal solution to the problem sexist costume designs.
The way a character is framed (visually and story-wise) makes a world of difference between just having a questionable costume and being outright objectified.
And as much as bikinis, bathing suits, cheerleader outfits etc. remain a silly wardrobe choice for an on-duty warrior/crimefighter, above here we have small sample of evidence that pants or full-body suits can actually lookworse.
Putting a female hero in pants does not mean she is somehow protected from an artist positioning her primarily for the male gaze. For example, Marvel Comics recently began a new ongoing called Fearless Defenders which stars Valkyrie and Misty Knight. Both of these characters wear pants and, yet, I lost count by about page five of how many times Misty’s ass took center stage in any given panel. Basically, where there’s a male gaze will, there’s a male gaze way — pants or no pants, tights or bared legs.
